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Architecture Biennale 25 - 11. International Architecture Exhibition - Out There: Architecture Beyond Building 24

Fondazione La Biennale di Venezia, chaired by Paolo Baratta, inaugurates the 11th. International Architecture Exhibition entitled Out There: Architecture Beyond Building , directed by Aaron Betsky. The exhibition will be open to the public from Sunday, September 14 to Sunday, November 23, 2008.

According to Aaron Betsky - already for six years director of the Netherlands Architecture Institute (NAI) in Rotterdam, one of the most important museums and architecture in the world, and since last year director of the Cincinnati Art Museum - the 11. Exhibition turns to architecture beyond building to address the central issues of our society. Instead of buildings, will present installations made by architects who responded to the stimulus of Betsky and accepted his challenge. This challenge reverberates onto us, encourages our capacity for interpretation and, through the emotion to give us the opportunity to draw some considerations about the meaning of the world and feel at home in it. Betsky points out "what should be an obvious fact: architecture is not 'the build' . Architecture must go beyond buildings because buildings are not just a reality. They are big and wasteful accumulations of natural resources are difficult to adapt to ever changing conditions of modern life. " "Most buildings are ugly, unnecessary and wasteful. Yet the architecture is beautiful - says Betsky - it can place in the world like no other art can do. It can make us feel at home in modern reality. Offers and plasma phenomenon that in today's world is one of the most valuable luxury: space. The exhibition collect and encourage experimentation : of momentary constructions, visions of other worlds, or tangible evidence of a better world. not want to present buildings and existing be enjoyed in real life. He does not want to propose abstract solutions to social problems, but will to see if architecture, by experimenting in and on reality, can offer some concrete forms or seductive images ". The

11. Show Out There: Architecture Beyond Building has therefore articulated in the exhibition areas of Italian Pavilion at the Giardini and Arsenale , installations, manifestos, utopian scenarios. These are experiments developed here for the specific purpose of the exhibition: to experiment with forms that renew architecture, the space in which we live our lives. If all 'Arsenal the visitor will see 23 Installations, Italy Pavilion to discover the experimental work of 55 international studies and a survey of the Masters of the Experiment .

The Corderie Arsenal start with Hall of Fragments, by David Rockwell with Casey Jones + Reed Kroloff: an interactive work that reflects on architecture's capacity to release its visionary power by borrowing from film . The present Corderie Installations large that "there are prototypes of buildings - says Betsky - is not constructed statements of the purity of form, are not examples of experiments taking place elsewhere." They are always different ways instead of asking questions about architecture and how you can feel "at home" in the world. This exhibition presents a challenge that must be considered in the collection of the works, beyond the meaning of each. It is a challenge of dialogue with the public and not an act of isolation. The architects communicate with the visitor through Manifestos, declarations of intent presented by the authors themselves to involve in their visions and their idea of \u200b\u200barchitecture. The objective is to establish a common ground and common understanding. The participants of the Installations section are: Asymptote, Atelier Bow Wow, Barkow Leibinger Architects, Nigel Coates, Coop Himmelb (l) au, Diller Scofidio + Renfro, Droog Design + Kesselkramer, Vicente Guallart, Frank O. Gehry, Zaha Hadid, Ante Liu, Greg Lynn, MAD, Massimiliano Fuksas, MVRDV, Penezic and Rogina, Philippe Rahm, Matthew Ritchie in collaboration with Aranda / Lasch and Daniel Bosia / ARUP AGU, Kramervanderveer, and Thonik UNStudio. The exhibition continues outside the hut with a rope factory in Kazakhstan today, proposed by Totani Kuzembaev, which is the meeting point between the traditional and the contemporary nomadic civilization. The tour ends in the Garden of Maidens, the new space acquired by La Biennale di Venezia, with Towards Paradise, a landscape installation by Gustafson Porter Group - Gustafson Guthrie Nichol.

Are Out There: Architecture Beyond Building Aaron Betsky is the invitation to reflect on a dimension beyond the architecture of the buildings, the same invitation applies to the way we look to the city. No coincidence that the show continues to Artiglierie with two exhibitions about Rome: Roma Stopped and Uneternal City. The first is sponsored by the International Meeting of Art and the revival of what has been an innovative project designed by Piero Sartogo in 1978, involving 12 major international architects invited to set up a "New Rome" by intervening in the historical heart of the city . The second exhibition is Uneternal City who, thirty years from Rome Interrupted, called twelve architectural firms - Italian, European, U.S. and Asian - to verify the general theme underlying the entire show by Aaron Betsky, this time applying it to the outskirts of the capital. How to transform the contemporary city, what would be the desired visions of possible future scenarios? Starting from what is, by the dispersed and complex reality of a territory as that of Rome, with Uneternal City is a challenge not so much the architecture of its traditional old town, but its actually more common on the surrounding area. Twelve studies involved: Centola & Associati, Delogu Associati, Giammetta & Giammetta, Labics, n! studio, Studio Nemesis, t-studio, BIG - Bjarke Ingels Group (Denmark), Clark Stevens-New West Land Company (USA), Koning Eizenberg Architecture (USA), MAD Office (China), West 8 Urban Design & Landscape Architecture (The Netherlands).

The Artiglierie are housed, also work for the top 10 and 40 honorable mentions in the online contest for college students Everyville 2008. Community beyond Place. Civic consciousness beyond Architecture curated by Aaron Betsky in collaboration with Francesco Delogu. Everyville 2008 is an initiative made possible by the collaboration of the Venice Biennale with Telecom Italy, which has provided for the site www.everyville.labiennale.org the most innovative technologies for the realization of the competition and for the display of the winning projects. Software powered by newitalianblood.com and MACE. In collaboration with Domus and Foscarini.

the gardens, inside the Italy Pavilion "is staged" the sperimentazion e. The exhibition has three different souls: Masters of the Experiment representing the influence of experimental languages \u200b\u200bmore expressive of the last decades, Experimental Architecture, where he explores the new type of architecture and urban reality and intervene in Upload Cit y, where it offers a virtual look the possible future development through the use of the network. Experimental Architecture, created in collaboration with Emiliano Gandolfi, aims to define a new scope for action, a new way of doing architecture and imagine our future. Proposals invited the 55 studies represent the limit to which tends the experimental architecture, following the conquest of an imaginary common and shared. The starting point of the works must be tracked in Masters of the Experiments , a tribute to the six architects who have most influenced contemporary experimental architecture: Frank O. Gehry, Herzog & de Meuron, Morphosis, Zaha Hadid and Coop Himmelb (l) au Rem Koolhaas and represented by Ila Bêka and Louise Lemoine and drawings by Madelon Vriesendorp. Finally Upload city, in collaboration with Saskia van Stein, submit videos from YouTube and the Web to show how different communities are appropriating contemporary urban imagery suggesting changing the meaning and unexpected uses.

Aaron Betsky directed and edited on 11. International Architecture Exhibition, assisted by a team of professionals, architects and associates: Francesco Delogu, Emiliano Gandolfi, Casey Jones, Reed Kroloff and Saskia van Stein. The study Thonik Amsterdam worked with the administrator to create graphics that gives identity the exhibition and the catalog published by Marsilio.

Francesco Garofalo is the curator of the Italian Pavilion or Tese delle Vergini Arsenal hosting the show Housing Italy / Italy Housing, in collaboration with PARC - Directorate General for quality and protection of the landscape, architecture and contemporary art, the Ministry of Heritage and Culture.

The Venice Pavilion at this year an exhibition entitled Carlo Scarpa and the origin of things, curated by Guido Beltramini and Alessandro Scandurra, made by the International Centre for the Study of Architecture Andrea Palladio. The initiative is supported and promoted by the Veneto Region in collaboration with the Municipality and the Province of Venice and PARC / Directorate General for the quality and protection of landscape architecture and contemporary art of the Ministry of National Heritage and Culture .

The awards ceremony and opening ceremony will take place Saturday, September 13 at the Giardini in Venice, Italy at the Hall at 17.00, with delivery of the official awards: Golden Lion for Best National Participation, Golden Lion for best design International Exhibition, Silver Lion for a Promising Young Architect of the International. There will also be the Golden Lions Biennale di Venezia: Frank O. Gehry Golden Lion for Lifetime Achievement and Special Golden Lion for an architectural historian James S. Ackerman, in the fifth centenary of the birth of Andrea Palladio.

Prizes, 11. Show will be awarded by the International Jury consisting of: Paola Antonelli (Italy), curator of the department of Architecture and Design at the Museum of Modern Art (MoMA) in New York, Max Hollein (Austria), director of Städelsches Kunstinstitut and Schirn Kunsthalle Frankfurt , Jeffrey Kipnis (USA), critic and lecturer at the University of Ohio; Farshid Moussavi (Iran), founder of Foreign Office Architecture in London, a professor at Harvard University Graduate School of Design; Prestinenza Luigi Puglisi (Italy), critic, historian and lecturer, specializing in urban planning, teaches History of Contemporary Architecture at La Sapienza University in Rome. The President of the Jury will be appointed by the same components during their first meeting.

Compared to the past 11 years. Shows an increase in the number of participations, in particular for the Architecture: 56 national pavilions, including 30 in the Giardini, Arsenale in 13, 13 exhibitions planned in cities from countries officially invited by the Biennale. To all this add up a Special Event of the Municipality of Milan and 24 collateral events this year doubled compared to previous years and who will organize exhibitions and to Venice for the exhibition. A series of meetings open to the public will be held at the Teatro Piccolo and Gardens during the days of paint (11-13 September) and throughout the course of the exhibition. [...]

(labiennale.org)

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"I present to you the book of my worst enemy, or" rival "to put it more politely, but deep sincerity. [...] I'm not pious nor do I want to accomplish a flatter no one: they are only sincere. Among writers, there is a big rivalry, but opponents have valid as Monica Drake is a godsend. Clown Girl is not only a great book, is unique, a world unto itself. Have, of enemies so much talent. " Chuck Palahniuk

Nita lives in the dangerous streets of Baloneytown, including toxic agents policing, alternative artists, crazy characters and wild dogs. To live is the clown, but it is a stopgap, a way to make ends meet, is his true passion, his dream, an aspiration and talent, a sublime form of art and difficult, suspended between mockery and melancholy, in a world that does not understand his jokes and that a noble clown sees only a fool. Nita is engaged to Rex Galore, the beautiful clown, is in love, but he does not see, call now and then, you went to the University of the Show with the money she sends. But the desire is too much and the unbridgeable gap, and every day Nita has to invent something, tie the balloons in the shape of animals to entertain annoying and noisy horde of children, to meet the fetishism of a client, entertaining company employees with shows at the edge of prostitution, watched by a young policeman sweet and compassionate, caring and passionate, a bit 'makes the heart beat. And in all this two faithful companions in life are suddenly gone, the dog adored and plucky, the rubber chicken colleague of many adventures. Nita the Clown Girl is a martyr passionate and compelling actor. His adventures are frenzied movement, an immersion in the dreams of youth, the folly of passion, the constant surprise of a change of scene and an unexpected burst of applause.

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Michael has a friend, Fred. One of those friends with whom they share everything: the flat, the pizza and beer, but also the dreams and frustrations, joys and sorrows, and sometimes women. One day, Fred decided to drop everything and go. Tired of the monotonous life of the province, he goes in search of the other half of himself. Michele remains instead. When he returns after five years, Frederick has changed. Now it is peaceful, in love with a woman (Sophie) and life. It looks like a success story, but it is not. Frederick suddenly again, this time for a much longer journey. Return to surprise hidden behind the eyes of a child, Angelica.

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Calliope, Callie said, then Cal, a rare species of hermaphrodite, he lived the first fourteen years of his life as a child, without anyone noticing his fault, until the arrival of puberty has submitted to inevitable changes. And now, an adult, wants to discover the origins of the genetic mutation responsible for this "biological eccentricities," and it tells the intense, dramatic and, in turn somewhat "eccentric" story of the Stephanides family.

"I was born twice: girl, the first day of January 1960, Detroit in a remarkably free from pollution, and adolescent male, the second in August 1974, the emergency room of Petoskey, Michigan. "(Callie)

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The bar under the sea

Sompazzo, the country most liar in the world - Gaspard Ouralphe, the greatest chef in France - the worm and mangiaparole 'incredible story of Captain Charlemont - The challenge of sausage - the repentant dictator - Kraputnyk, the Martian love - Priscilla Mapple and the crime of C II - The Goblin of bad figures, the jealous devil and the guitar magic - The story of First Aid and Vanity - The mystery of Oleron and the Autogrill death - Californian crawl - The pornosabato film Splendor - The vagaries of the god Amikinont'amanonamikit'ama - Arturo perplexed by the House Abandoned at Sea - The world's shortest story, the fatal Nastassia and the great crossing of an elderly man.

The bar is a fantastic place, a meeting place of mysterious patrons, people from the most bizarre and equally original characterizations, each of which is committed, then one night, telling a story.

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It 's a little bit that I do not write .. and how many things have happened this month .. two on all Istanbul and adult life, the real one, the one where if you mess up you pay, and dearly.

Istanbul is a wonderful city, and will not be what I am writing to tell more of the magic that you know, so I will just say what's in Istanbul I loved, loved too commonplace to say: first of all the poetry of a city where West and East are not only neighbors, but merged. It may happen to be a literary cafe to read a book as any to look like a Parisian in a neighborhood on the Left Bank, while outside you can hear the beautiful call to prayer from the minarets and soaring in the sky .. and it looks East, Arab turkish, Ottoman, European and Asian.

Grace mosque blue and pink, the depth of the eyes behind the veil of Muslim women, intense, profound culture that comes from afar and is steeped in spirituality, faith, trust that there is something more than the material from pigs that there remained in the West .. and then the smells of the bazaars, in which we excite two thousand years of merchants, ships laden with spices, Egyptian and Indian, Pakistani smells of incense and ancient Venetian galleys, while sailing the beautiful sea of \u200b\u200bhalf an Italy that also bathes old but always wound .. and you almost want to cry seeing that such a world still exists. Istanbul left my heart in my throat for its sunsets over the Bosporus for its colors of the sea, for its cuisine and its strong intense music .. Istanbul is there, but even more excited to live with those we love most of all art in the world, the only reason why it's worth crossing a continent hungry for one of her intense eyes as the sun sets in Sirkeci .

Then return, and again the strange life of this African period: the late dry season of one month and the villages that lose their crop of tef, the threat of famine ever closer and the sudden blazing sun that burns all .. and then the promotion, the true and authentic, but also wanted feared that confronts a responsibility to myself that I did not realize. I must make use of all my chameleonic ability to believe that we can tackle the challenges impossible to survive here .. and tell myself that I could do it.